The song moves away from what its title would suggest, focusing on a slow meshing of synths as FrancesвЂ™ vocals fold themselves into the instrumentation. This is most pronounced on вЂњSadistвЂќ, a title that, for long-time Crystal Castles fans, would signal hope that itвЂ™d be yet another noisy masterpiece. Instead, Kath works well with the new vocalist, molding the production to fit her style. She sings a single line over paranoid synths that, production-wise, harkens back to the first installment of Crystal Castles, but her vocals are notably less aggressive than GlassвЂ™. This feeling doesnвЂ™t last long as the next song, вЂњFleeceвЂќ, marks the first appearance of Frances on the album. A lone ghostly vocal sample is looped and warped as trap hi-hats and a bass that pops in on occasion, providing an uplifting start for a band whose most notable songs have usually veered towards the destructive.

The album opens with вЂњFemenвЂќ, a number whose greatest influence is simultaneously Clams Casino and the Soundcloud aesthetic that producers have been cultivating this decade. On Amnesty (I), however, KathвЂ™s production often veers towards a calming ambience even when new vocalist Edith Frances unleashes a haunting performance. They could be characterized as synthpop, sure, but so could Phoenix, and itвЂ™s difficult to see where the overlap between those two bands lies. Glass especially was known for her willingness to overlook injury or danger in favor of putting on a truly visceral experience. With a new record, Amnesty (I) announced, the question was obvious: How pronounced was GlassвЂ™ impact on the band? As the album proves, she played a massive role in the first iteration of the Crystal Castles aesthetic.ДЄ core component of the Kath/Glass Crystal Castles lineup was that the abrasiveness of their best songs translated into equally raucous live shows. Producer Ethan Kath threw shade at Glass on Soundcloud reading, in part, вЂњit should be rewarding for her considering she didnвЂ™t appear on Crystal CastlesвЂ™ best known songs.вЂќ Understandably, Glass retaliated on Twitter, defending her contributions to the band ranging from the lyrics to vocal melodies and the bandвЂ™s overall aesthetic.

But in April 2015, when a new Crystal Castles song was released, вЂњFrailвЂќ. Months went by and it seemed that that was that, the unfortunate end to an innovative pairing. In October 2014, singer Alice Glass announced that she was leaving the band for вЂњprofessional and personalвЂќ reasons, marking the end of one of the most exciting duos the late 2000s and early 2010s had produced. As break-ups go, Crystal CastlesвЂ™ was quick but with a slow-burning aftermath.

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